I alluded to the fact earlier that I had shot with my D2H at 17mm and my RB67 at 50mm which provided equal FOV for the most part. I got my slides back and scanned them and the tonality of the Provia again just makes my jaw drop, I seriously only need to scan and crop with Provia, no color or tone correction. Parfait!
I won't start a film vs. digital debate here as they both have their own merits and to write one off arbitrarily is to cut off one's means of expression.
Strobist: WL Ultra 600 into 45" Umbrella, to the right; pair of SBs bounced of the wall for fill.
I won't start a film vs. digital debate here as they both have their own merits and to write one off arbitrarily is to cut off one's means of expression.
Strobist: WL Ultra 600 into 45" Umbrella, to the right; pair of SBs bounced of the wall for fill.
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